In fact, this entire anti-establishment studio comedy takes place in one of those forgotten temples of physical media, as a motley crew of young and attractive retail employees try to survive a very busy day at their home away from home, and also convince their manager (an iconic Anthony LaPaglia) not to sell out to The Man. “Empire Records” (1995)īuried in theaters as though it were always intended to be an evocative time capsule of the mid-’90s, Allan Moyle’s “Empire Records” is a glorious throwback to a magical time when flannel ruled the land, the Gin Blossoms were the sound of a generation, and record stores were a thing that still existed. It’s true that a film like “The Night Comes for Us” inevitably loses something when you don’t see it on the big screen, but the Netflix of it all at least gives us the power to pause and rewind all of the most brutal fight scenes, of which there should be many.Īvailable to stream on October 19th. Alas, that’s not going to be as easy as it sounds, as his childhood friend - Uwais - has been dispatched to kill him. In response to that heartless request, our hero decides to find every corrupt gangster in his entire criminal organization and kick them to death. Written and directed by Timo Tjahjanto (“Headshot”), the movie casts Joe Taslim as a Jakartan hitman who goes rogue after his bosses ask him to murder a little girl. There’s even a little something for all the horror fans who are counting down the days to Halloween, as no month-long celebration of the genre is complete without “ The Shining.” From Tamara Jenkins’ tender and hilarious “ Private Life,” to Sandi Tan’s unclassifiable meta-doc “ Shirkers,” Sara Colangelo’s unnerving remake of “ The Kindergarten Teacher” (featuring a career-best performance by Maggie Gyllenhaal), and Timo Tjahjanto’s brutal Indonesian beat-em-up “The Night Comes for Us,” Netflix is earning your $10.99 this month.Īnd that’s not all: In addition to that eclectic mix of exciting new films, the service is also bolstering their roster with a few certified classics, from the iconic ’90s comedy “Empire Records” to Sergio Leone’s “Once Upon a Time in America” (a film that some say was the “Empire Records” of its day). After months of festival hype, the streaming giant’s subscribers will finally get to see a handful of the very best movies the company has released thus far. 2018 has been a game-changing year for Netflix’s original film output, and its October release slate hammers that home in a big way.
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